After watching a few of Glastonbury 2025, I’m no extra mortified by Western arts establishments or broadcasters than I used to be yesterday. I’m no extra disillusioned by crowds, and no much less shocked by artists and cultural establishments who would somewhat capitalise on trend’s worst choices than nourish the general public.
The fallout from this 12 months’s pageant says extra about trend – who controls it, who advantages from it, who subscribes to it, and why – than it does about any artist or any music pageant’s grasp on antisemitism.
Loading…
