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    Home » Trump Targets LGBTQ+ History, Migrants, and More in Chilling Smithsonian Hit List
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    Trump Targets LGBTQ+ History, Migrants, and More in Chilling Smithsonian Hit List

    morshediBy morshediAugust 21, 2025No Comments5 Mins Read
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    Trump Targets LGBTQ+ History, Migrants, and More in Chilling Smithsonian Hit List
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    Rigoberto A. González, “Refugees Crossing the Border Wall into South Texas” (2020) was among the many artworks focused in a press release from the White Home on August 21, 2025. (photograph courtesy the artist)

    Within the wake of Trump’s Reality Social rant earlier this week, by which he accused the Smithsonian of focusing an excessive amount of on “how unhealthy slavery was,” the White Home released a listing concentrating on particular exhibitions and artworks on the establishment because it vows to purge it of “divisive narratives.”

    The 26-point bulleted memo titled “President Trump Is Proper Concerning the Smithsonian,” revealed at this time, August 21, comes days after the Trump administration demanded that the Smithsonian hand over details about curatorial processes, exhibitions, and different applications in order that authorities officers could make “content material corrections.”

    In at this time’s memo, the administration took specific purpose at applications that acknowledged LGBTQ+ people, humanized migrants, and referenced political figures who’ve strayed from conservative platforms, together with former Nationwide Institute of Allergy and Infectious Ailments Director Anthony Fauci, abolitionist Angela Davis, and socialist 2024 presidential candidate Claudia De la Cruz. 

    Additionally on the record is Amy Sherald’s 2024 portray “Trans Forming Liberty,” which was slated to be included in a solo exhibition on the Nationwide Portrait Gallery (NPG). Sherald withdrew the show fully final month, citing issues that the museum was planning to censor the work. 

    Different focused artworks within the record reference immigration in the US, corresponding to Rigoberto A. González’s 2020 painting “Refugees Crossing the Border Wall into South Texas,” which includes a man and a girl climbing a ladder holding a child and accompanied by a toddler. González was a finalist within the Nationwide Portrait Gallery’s (NPG) triennial Outwin Boochever Portrait Competitors.

    In an interview with Hyperallergic, González in contrast the inclusion of his portray on Trump’s record to the Nazi marketing campaign towards “degenerate artwork.” 

    “Political events and politicians know that artwork could be very highly effective, in order that they all the time attempt to use it as propaganda,” González mentioned. He emphasised that on the backside of the portray, he included a crumpled newspaper with the headline “Trump Impeached.” The figures within the work, he added, are references to the Holy Household.

    “It depicts immigration, but in addition the hazards that the immigrants face as soon as they get right here, and that’s what these objects on the backside of the portray sort of characterize: anti-immigrant sentiment,” González continued. The artist mentioned he totally researches his work and speaks to immigrants in Texas to know their experiences. 

    The museum saved the portray for 2 years as a part of the 2022 Outwin competitors for a gaggle tour at museums throughout the nation, however it isn’t at present displayed on the NPG, in accordance with González.

    The White Home memo additionally accuses the Smithsonian Establishment of excluding the “wealthy, pale, and male,” linking a New York Occasions report with the phrase in its headline. The Smithsonian, nevertheless, has not used the phrase.

    Most of the artworks and reveals on the White Home’s record have been featured in an August 15 article revealed within the conservative publication the Federalist.

    In the previous few months, Trump has waged a relentless marketing campaign to instill so-called “American exceptionalism” throughout the Smithsonian’s analysis facilities and 21 museums, threatening to erase important race idea, LGBTQ+ histories, and different narratives that he deems “unpatriotic.”

    The president has accused the Smithsonian and museums in the US usually of being a last-standing pillar of the so-called liberal “woke,” a time period with roots in Black tradition and social justice actions that conservatives have co-opted as a derogatory time period for progressive values.

    The White Home’s record at this time leads with a 2020 infographic that the Nationwide Museum of African American Historical past and Tradition added to its web site instantly after the killing of George Floyd. Titled “points and assumptions about white tradition,” the graphic included descriptions about “white dominant” household constructions, faith, and attitudes. The museum apologized for the infographic and eliminated it from its web site after backlash from conservatives, together with Ben Shapiro and Donald Trump Jr.

    Trump’s hit record additionally consists of Nationwide Museum of American Historical past (NMAH) content discussing LGBTQ+ historical past; a Nationwide Museum of African Artwork show exploring the Afrofuturist legend of Drexciya; and animated graphics of Latinos with disabilities created by the Nationwide Museum of the American Latino.

    A 2022 sequence of stop-motion portraits of Anthony Fauci by Outwin winner Hugo Crosthwaite, commissioned by the NPG, additionally made the record, as did the NMAH’s American Democracy exhibition, which the assertion accuses of favoring “leftist” causes like selling trans athletes competing within the class of their gender identification. 

    Hyperallergic has reached out to the Smithsonian for remark. 



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