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    Home » Sculpting the sacred and the strange
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    Sculpting the sacred and the strange

    morshediBy morshediSeptember 25, 2025No Comments8 Mins Read
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    Artist Deborah Hansen photographed at her residence in Anchorage, Sept. 18, 2025. (Photograph by Kerry Tasker)

    Deborah Hansen wasn’t at all times an artist, however she’s been a giant reader since she was a baby. Rising up Catholic, plenty of what she was studying obsessively was bigger than life — the lives of saints, tales of the Bible, and retellings of fairy tales.

    Lots of it puzzled her.

    “After I was somewhat child, I keep in mind studying these fairy tales, and going — that isn’t proper. It’s not proper. How might Sleeping Magnificence be alive for 1,000 years? That doesn’t make any sense. Or you then learn within the Bible about somebody being alive for 800 years.”

    Sleeping Magnificence, saints, biblical tales and legendary figures from Historical Greece all make a robust assertion in Hansen’s present on the Worldwide Gallery of Up to date Artwork, exhibiting by means of Friday.

    Element of “Justice,” by Deborah Hansen. Sept. 18, 2025. (Photograph by Kerry Tasker)

    Known as “Conversations,” the present is Hansen’s approach of partaking previous and even historic tales — fables, spiritual texts, mythology — in a approach that speaks to the current day.

    “Possibly we should always inform one another tales as a approach to bridge the hole of understanding between us. These sculptures are my variations of what I’ve been pondering and speaking about,” Hansen wrote.

    “Conversations” is dominated by 11 giant ceramic works. What makes them arresting are the numerous life-like faces — typically piled on prime or alongside one another to type the physique of the piece. Some faces protrude, others are fused collectively or recede into the sculpture.

    The sculptures describe ideas — energy, sorrow, justice, goals — or folks in previous or historic tales, together with David the King, Goliath, Sleeping Magnificence, The Good Queen. Each bit tells a narrative and in addition pertains to the opposite works. Many are thickly layered with symbolic element: leaves, skulls, mythic animals, glinting metallic factors and linework.

    “The work I spent sculpting, carving, drying, and glazing the stones gave me time to consider these matters and which of them are basic to human existence: Dreaming, Sorrow, Energy and Justice, Life and Dying. I got here to consider them not simply as matters of dialog, however ideas permeate artwork, writing, and faith, and are frequent to the human expertise,” Hansen wrote.

    “Goliath” (left) and “King David,” by Deborah Hansen. Sept. 18, 2025. (Photograph by Kerry Tasker)

    The figures seem to be references to the previous, however Hansen views their symbolism firmly from the standpoint of 2025. These are advanced figures, in her view, with personalities and internal battle.

    Take King David from the Bible. “He’s not 100% good. He’s an advanced particular person. And I believe many individuals of their life do the unsuitable factor and hopefully do the correct factor typically,” Hansen stated. “I assume I worth introspection … And I typically surprise about King David. I imply, he wrote some stunning poetry, so perhaps he was (introspective). I believe that has to come back from someplace.”

    The sequence is bookended by runestones inscribed in Elder Furthark (a language relationship again to the third by means of eighth centuries) with messages from a way more latest historical past:

    “Tyranny requires your worry and your silence and your compliance. Democracy requires your braveness,” Illinois Governor JB Pritzker, State of the State Handle, 2025.

    “Possibly time operating out is a present”: excerpt from the music “If We Had been Vampires,” by Jason Isbell and the 400 Unit, 2017.

    Artist Deborah Hansen photographed in her studio in Anchorage, Sept. 18, 2025. (Photograph by Kerry Tasker)

    Many years within the making

    When Hansen was in her 30s she had her first little one, a kind of infants with a miraculous potential to sleep soundly for lengthy durations of time. Her father gave her $300 and informed her to spend it solely on herself.

    This was the early ‘90s, Hansen stated, and “again then you might take a complete class at UAA for like 275 bucks, so I purchased a category.”

    Hansen enrolled in a night drawing class with former longtime College of Alaska Anchorage professor Hugh McPeck. It turned out to have a long-reaching impression.

    “(McPeck) was very optimistic about issues, and notably after he had the guts transplant, he was much more optimistic. So then he stated, ‘It’s best to take into consideration getting a (Bachelors of Fantastic Arts diploma).’ I assumed, ‘no I can’t.’ However then I assumed, ‘properly perhaps I can.’ ”

    Hansen began taking lessons like colour idea and three-dimensional design. She managed to finish some semesters whereas additionally working full-time because the director of selling at Alaska Phone Utilities (a predecessor of ACS) and parenting a toddler. However with the arrival of her second little one, a job change, and the maelstrom of household obligations, youngsters getting sick and scheduling catastrophes, she set the BFA venture apart.

    (Left to proper) “Guardian” portray, “Sleeping,” “Justice”, “By no means Give Up” runestone. By Deborah Hansen. Sept. 18, 2025. (Photograph by Kerry Tasker)

    When she had some area in her schedule, she’d full a course or two, however it wasn’t till she retired — simply earlier than the COVID-19 pandemic — that she was in a position to end her diploma program.

    Greater than 30 years after taking her first artwork class, Hansen offered her BFA thesis present at UAA in 2023. Much like “Conversations,” the exhibit concerned many face casts — 44 completely different faces mounted on plaques, lit up with candles like spiritual icons.

    To drag it off, she needed to refine a very fraught means of drying and firing the items, Hansen stated. She cracked every bit she put into the kiln from August to November the yr of her thesis.

    With assist from assistant professor of ceramics Alanna DeRocchi and a visiting artist, Hansen finally nailed down a fancy, down-fire course of. Each bit within the IGCA present took a full week to fireside, she stated.

    Again of “Justice” (“Energy” pictured within the background). Ceramic sculpture by Deborah Hansen. Sept. 18, 2025. (Photograph by Kerry Tasker)

    For the faces, Hansen created silicone face castings of individuals she is aware of, typically utilizing what she knew of the particular person’s persona and pursuits to assign them a personality of the sculpture.

    The mannequin for “Justice” is a former appellate lawyer for the Commonwealth of Massachusetts, who argued and gained essential circumstances for girls’s rights, Hansen stated. “Justice” has tires round her neck, posing the query, “is she being strangled or is she rising above that?” Hansen stated.

    “Understanding our personal relationships to those ideas, and whether or not folks care, or don’t, about them is particularly essential to me within the trendy American political local weather,” Hansen wrote. Her most pointedly political piece, “Man of Sorrows,” depicts Christ as an immigrant, wracked with struggling and grief.

    “The Magus,” by Deborah Hansen. Sept. 18, 2025. (Photograph by Kerry Tasker)

    When she was forming her plan for the present “I used to be enthusiastic about story. I used to be enthusiastic about conversations. And I take into consideration why folks don’t hear to one another? And I used to be enthusiastic about how we have to speak extra,” Hansen stated.

    “Every of those items embodies a dialog about one thing essential to me. I hope that they converse to you too.”

    In DUOS, every work was the results of two artists creating independently on completely different areas of the piece, with out realizing what the opposite’s half appeared like. Curated by j.Reto of the CIRCLE5 artwork group. On view till Sept. 26 on the Worldwide Gallery of Up to date Artwork. (Photograph by Kerry Tasker)

    Additionally on view at IGCA by means of Sept. 26

    Duos — a dynamic experimental present curated by j.Reto, a founding member of CIRCLE5 artwork group. Every work was the results of two artists working independently on completely different areas of the piece, with out realizing what the opposite’s half appeared like. The outcomes are shocking — and in lots of circumstances surprisingly cohesive.

    Drawn North: Portraits in Texture — Rhode Island-based artist Suzanne Yeremyan developed a sequence of summary works following a winter 2025 artist residency with Alaska State Parks. The outcomes are experimental panorama portraiture, grounded within the textures, patterns, and actions discovered inside a pure surroundings.

    “Path to a Path at Nightfall: Eklutna Lake” (heart) and different works by Suzanna Yeremyan will present on the Worldwide Gallery of Up to date Artwork till Sept. 26, 2025. (Photograph by Kerry Tasker)

    “Conversations,” “DUOS,” and “Drawn North” shall be on view 1-4 p.m. Thursday, Sept. 25, with a closing reception at 6 p.m. Friday, Sept. 26, on the Worldwide Gallery of Up to date Artwork in Anchorage (427 D St., Anchorage; igcaalaska.org)

    Reporting for this venture was supported by the Alaska Heart for Excellence in Journalism.





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