By LUSYA YANGIROVA
The portray practices of Mariia Denysenko and Natalia Kungurova confidently align with the modern European custom of effective artwork. Each artists favour abstraction over figurative narrative, selecting to prioritise the liberty of viewer interpretation. What unites their method is a shared sense of experimentation — a dialogue between tutorial foundations and extra fluid, exploratory selections.
Summary portray speaks the language of emotion and state of being. As a style, it resists a singular or inflexible studying. Within the work of each artists, portray turns into a visible echo of their inside rhythms — rhythms that resonate instinctively with the viewer.
Combine Emotions by Mariia Denysenko
Mariia Denysenko’s collection Combine Emotions, comprising two canvases, leans in direction of the legacy of summary expressionism. Her vibrant palette — wealthy with contrasts between deep greens, smooth blues, and a crimson tinged with orange — creates an emotional environment that the artist herself describes as an “emotional journey.” This journey just isn’t directed by linear narrative, however by immersion — the colors and gestures guiding us by states of stress, launch, and reflection.
Giant areas of color and sweeping brushstrokes command the viewer’s consideration, delivering a visible depth that borders on the dramatic. Although figuration could appear to floor at occasions — as if a determine could be rising from the composition — it stays an phantasm, shortly dissolving into color and kind. Purple seems to operate as a central rhythmic gadget on this collection. It anchors the viewer’s gaze, performing virtually as a visible metronome towards the extra subdued tones surrounding it. The crimson doesn’t shout, but it surely insists — energising the whole composition and pushing the emotional tempo ahead.
In sure works, the suggestion of figuration is constructed not by form however by palette. This technique attracts a delicate line again to Wassily Kandinsky’s theoretical textual content Level and Line to Airplane, during which the pioneer of abstraction handled portray as a system of relationships — color and kind turning into analytical instruments relatively than merely expressive ones. Denysenko’s work gives a up to date echo of this lineage, but stays unburdened by inflexible idea, permitting instinct and emotion to rise to the floor.
Deformation and Confluence by Natalia Kungurova
Natalia Kungurova’s paired works Deformation and Confluence appear to be in direct dialog with each other — not in concord, however in stress. The place one speaks of quietude and equilibrium, the opposite bursts with motion and energetic disruption.
Kungurova cites Gerhard Richter as a significant affect, and this dialogue with the German grasp is obvious in her sensitivity to color. Her compositions are much less about distinction and extra about circulate — smooth lilacs and azure blues interspersed with white, forming an atmospheric, near-liquid floor. Regardless of her use of acrylics, her method evokes the fluid transitions of watercolour — with gradients that bleed gently into each other and a way of translucency that permits every color to “breathe.”
Although the work fluctuate in temper, they’re united by their palette and by Kungurova’s deliberate concentrate on texture. In each works, the artist performs with undulating, wave-like brushwork — constructing not simply imagery however sensation. The result’s a flowing visible rhythm that feels virtually tactile.
Her exploration of maritime themes is especially delicate — relatively than depicting seascapes instantly, Kungurova isolates components reminiscent of “sea foam,” remodeling them into summary types. This method remembers a lineage of images stretching from the mythological (The Delivery of Venus) to the monstrous (the rise of the Kraken in in style tradition). The marine turns into a metaphor, fragmented and reassembled into new emotional contexts.
Her choice for small codecs can be noteworthy. Introduced in a mosaic-like set up, these works operate as modular components — every bit half of a bigger visible dialog. They encourage shut wanting and quiet contemplation, rewarding consideration with element.
Non-objective artwork all the time leaves area for interpretation, whereas concurrently elevating questions in regards to the function of instinct versus intention. Within the work of Natalia Kungurova and Mariia Denysenko, we see a compelling fusion of emotional spontaneity with considerate, deliberate use of composition and color. Their portray practices are testaments to how summary artwork, when rooted in private rhythm and aesthetic readability, continues to ask — and reward — deep engagement.
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Classes: Art, Artists, Europe, Modern Art, Opinion
