Typically, artwork begins in essentially the most sudden locations. For Kate Van Vliet, it started at house throughout the pandemic, surrounded by new child twins and a pile of eggshells. Her neighbors had began dropping off recent eggs from their yard flock as a form gesture, and at first, it was only a easy alternate. However day after day, the colourful shells began stacking up on her kitchen counter—smooth blues, pale browns, creamy whites—and one thing about them caught her eye.
With life feeling like a endless loop of diapers, feedings, and exhaustion, Van Vliet noticed the shells as little time capsules. Each one marked a day survived, one other second handed within the unusual haze of early motherhood throughout lockdown. That’s when the concept for Fault Strains was born.
Reassembling the fragile fragments, Kate turned these leftover items of day by day life into one thing quietly highly effective. “Changing into a mom was like getting into this world of ritualistic insanity,” she explains. “Every day felt just like the final, and but, each was completely different in some small method. These eggshells turned my method of cataloging all of it.”
The Fault Strains sequence doesn’t simply showcase her creative imaginative and prescient—it tells a narrative of resilience, repetition, and discovering magnificence within the on a regular basis. In a time when many felt disconnected, Van Vliet grounded herself within the fragments of routine. What began as pandemic motherhood turned a meditation on time, id, and the fragile steadiness between chaos and calm.
With Fault Strains, Kate Van Vliet presents a reminder: even in essentially the most repetitive days, there’s one thing value noticing. One thing fragile, acquainted, and quietly stunning.














Go to the artist’s website and Instagram to see extra of her work.