tokyo sees the opening of ‘100 colours no.53’
‘100 colours no.53,’ the newest installment in Emmanuelle Moureaux’s ongoing ‘100 colours path’ collection, has opened at Takanawa Gateway Metropolis in Tokyo. Composed of two,400 vertical traces, every rendered in considered one of 100 exactly chosen colours, the work is each a spatial construction and a temporal map, charting a century’s value of imagined futures.
The piece is put in within the newly developed Gateway Park by East Japan Railway Firm, and marks the launch of Takanawa Gateway Metropolis, an city complicated constructed round a central transport hub in Minato Ward. As the primary public set up unveiled with the complicated’s debut, ‘100 colours path’ units the tone for a neighborhood outlined by openness and motion. ‘100 colours no. 53’ shall be open to the general public till July twenty first, 2025.
pictures © Daisuke Shima
emmanuelle moureaux’s map of Coloration and Time
Whereas Emmanuelle Moureaux’s ‘100 colours no.53,’ reads as a shifting gradient from throughout the Tokyo plaza, its inner logic is revealed up shut as an accumulation of numbers layered inside a calibrated spectrum. This fashion, the Tokyo-based French architect‘s attribute use of shade is an architectural materials somewhat than floor remedy. Every line is inscribed with a 12 months, starting in 2025 and persevering with sequentially by 2124.
The structural rhythm of the work is outlined by uniform spacing and repetition. Traces are suspended vertically to create a passage that’s concurrently clear and immersive. The numbers printed on the traces come out and in of view as guests transfer by the piece, a kinetic impact heightened by the optical interference patterns of overlapping colours.
Emmanuelle Moureaux installs ‘100 colours path’ in Tokyo’s Takanawa Gateway Metropolis
a pathway carved by immersive shade
On the coronary heart of Tokyo’s ‘100 colours path’ set up is a central hall which cuts by the coloured grid. Emmanuelle Moureaux carves this passage to ask entry, permitting guests to turn out to be momentarily absorbed within the spectrum of time. As individuals stroll by the hall, the visible rhythm shifts with their motion. It’s a easy gesture, however one which transforms the set up from an object to inhabit into an setting to expertise.
Inside, the work gives a tactile proximity to every shade and 12 months. The vertical density flattens at sure angles and deepens at others, underscoring the connection between time and area in architectural notion. The impact is neither theatrical nor didactic — it’s exact, open-ended, and attentive to motion.
the set up consists of two,400 vertical traces organized in 100 exactly chosen colours
Past the park set up, the idea of ‘100 colours path’ has been prolonged all through the station district. Moureaux designed associated graphics for each north and south ticket gates of Takanawa Gateway Station, in addition to the encompassing road flags. A complementary augmented actuality expertise titled 100 colours metropolis permits guests to interact with the set up digitally, activating the idea by smartphone interplay.
Throughout the exhibition interval, a public workshop invited contributors to seek for shade of their on a regular basis environment — an method that reinforces the challenge’s central theme of shade as a framework for commentary and time. This alignment between bodily set up and public programming strengthens the architectural relevance of the work in its city setting.
a central hall invitations guests to stroll by the immersive shade area
Moureaux’s 100 colours path continues her exploration of how shade can be utilized to form bodily area and collective creativeness. The numbering of every line, paired with a transparent chronological arc, provides construction to what might in any other case be a purely aesthetic area. This linking of shade and time brings a conceptual framework that’s visually inviting, but in addition conceptually complicated.
The set up references each the long run and the current. The choice to start throughout Takanawa Gateway Metropolis’s inaugural 12 months of 2025 grounds the piece in its speedy context. In the meantime, the selection to increase 100 years ahead transforms the challenge right into a durational meditation on reminiscence and concrete development.
every line is engraved with a 12 months from 2025 to 2124, making a spatial timeline of 100 years
