On the 78th Cannes Movie Competition, the revealing of Baghuni (Dance Like a Tiger), an Odia-language function, marked a turning level for regional Indian cinema. However behind the movie’s international debut is a story as compelling because the movie itself—that of Partha Sarathi Panda, a UK-based entrepreneur whose journey from rural Odisha to the center of the UK enterprise and cultural scene is redefining the position of diasporic management in storytelling.
With Baghuni, Panda is not simply producing a movie; he is constructing a cross-continental bridge that brings untold Indian tales to worldwide audiences. By his manufacturing firm, Glocal Movies UK Restricted, he’s mixing native narratives with international sensibilities—an method that would reshape the dynamics of India’s regional movie market.
“Odisha has a whole lot of tales that need to be seen and heard,” says Panda. “Cinema provides us the medium, however entrepreneurship provides us the momentum.”
Based within the UK, Glocal Movies is Panda’s most bold cultural enterprise thus far. Its mission: to carry regional Indian tales to a worldwide stage by way of world-class manufacturing, worldwide collaboration, and commercially viable fashions. The corporate is constructed across the perception that genuine native tales can resonate globally—if positioned with the precise artistic and enterprise technique.
Baghuni, written and directed by internationally acclaimed filmmaker Jitendra Mishra, tells the story of a younger girl difficult patriarchal traditions. The movie, whereas deeply rooted in Odia tradition, explores common themes of resistance and resilience—making it equally related to international audiences.
The Cannes unveiling on the Bharat Pavilion, hosted by India’s Ministry of Info & Broadcasting in collaboration with FICCI and NFDC, introduced business leaders like Shekhar Kapur and Rima Das collectively to acknowledge the movie’s cultural and market potential.
“We’re proud to help this Indo-UK collaboration,” stated NFDC Managing Director Prakash Magdum. “Baghuni is a culturally wealthy and globally resonant story.”
From Odisha to the UK: The Entrepreneurial Climb
Panda’s journey started in Badatihada, a distant village in Odisha’s Jagatsinghpur district. After finishing his training at SVM School underneath Utkal College, he took a high-interest private mortgage to fund his enterprise research in London—a daring transfer that set the stage for his transformation.
Within the UK, he began from scratch: working as a common labourer in a banana packing facility through the day, and at a KFC within the night. That tenacity paid off. Over the subsequent decade, Panda launched 4 profitable ventures:
Can-Do Personnel Ltd – A recruitment agency that has helped over 10,000 people in Kent discover jobs and coaching.
Majoris Options Ltd – An expert coaching firm.
Magic Duster Ltd – A cleansing providers agency.
Chillika – A restaurant celebrating Odia delicacies within the UK.
His corporations should not simply commercially profitable; they function engines of inclusion, providing alternatives to immigrants and underprivileged communities.
Group Management and Cultural Advocacy
Panda can also be a Director on the Odisha Society of the UK (OSUK), the place he curates cultural festivals, organises language workshops, and leads financial boards to attach Odia entrepreneurs with UK enterprise networks.
His civic engagement extends into political life as effectively. As a Member of the Govt Council of the Gravesham Conservative Affiliation, he advocates for the Indian diaspora whereas contributing to broader coverage discussions.
Partha Panda showcases Odisha’s Sambalpuri handloom at Cannes 2025, honoring Indian custom on a world platform.
The Way forward for Regional Storytelling
Baghuni was chosen for the celebrated Movie Bazaar 2023 in Goa, one in every of solely 20 tasks chosen from 11 nations. Manufacturing begins later this 12 months, with plans to launch the movie in Odia, Sambalpuri, Koshli, Hindi and others—that includes each native expertise and worldwide technicians.
For Panda, the Cannes showcase is just the start. By Baghuni and future productions, he goals to present voice to Odisha’s untold tales, leveraging cinema as a device for id, diplomacy, and growth.
As regional cinema claims its rightful place on the worldwide stage, Panda’s journey from a village in Odisha to the movie markets of Cannes is a well timed reminder: the world is prepared for numerous tales—it simply wants folks daring sufficient to inform them.
Ultimate Thought
Partha Sarathi Panda is a part of a rising wave of world entrepreneurs redefining what it means to be each a enterprise chief and cultural ambassador. His story underscores a strong shift: as regional cinema beneficial properties prominence, its success will more and more rely upon those that can suppose past borders—identical to Panda.
Media Contact Kanhu Raj Premium News Wire.
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Partha Panda showcases Odisha’s Sambalpuri handloom at Cannes 2025, honoring Indian custom on a world platform.