“Emilia Pérez,” “Depraved” and “The Wild Robotic” had been the highest movie winners on the seventy fifth ACE Eddie Awards, which came about on Friday night at UCLA’s Royce Corridor, almost two weeks after the Oscars and almost two months after the Eddies’ authentic date of Jan. 18. The ceremony held by the American Cinema Editors was postponed in January because of the wildfires that raged by means of the L.A. metro space earlier this 12 months.
Wins by Juliette Welfling for “Emilia Pérez” and Myron Kerstein for “Depraved” stood in distinction to the end result on the 97th Academy Awards on March 2, when Sean Baker received movie modifying for “Anora.” Last year, “Oppenheimer” and “The Holdovers” received on the Eddies, and “Oppenheimer” went on to win the Oscar. Within the six-plus a long time that the American Cinema Editors have been giving out awards, certainly one of its feature-film winners has then received the Oscar for Finest Movie Enhancing about two-thirds of the time. Within the 25 years since ACE break up its prime movie award into separate drama and comedy or musical classes, its drama winner has taken the Oscar 14 instances and its comedy/musical winner has executed so twice.
Mary Blee received the animated-feature Eddie with “The Wild Robotic,” whereas Michelle McMillan received on the TV facet for “X-Males ’97.” Within the nonfiction classes, Monique Zavistovski took residence prime movie honors for “Will & Harper,” whereas Evan Sensible, Charles Divak, Adrienne Gits and Doug Abel triumphed in TV for “Chimp Loopy.”
The opposite TV winners had been Maria Gonzales and Aika Miyake for “Shōgun,”
Peter H. Oliver and Benjamin Gerstein for “Child Reindeer,” Russell Griffin for “Frasier,” Liza Cardinale and Dane McMaster for “What We Do within the Shadows,” Doc Crotzer for “Roadhouse” and for “Welcome to Wrexham,” Tim Wilsbach, Steve Welch, Michael Brown, Michael Oliver, Tim Roche, Matt Wafaie, Jenny Krochmal and Mohamed el Manasterly.
Particular awards went to “Depraved” director Jon M. Chu (Filmmaker of the 12 months) and movie editors Maysie Hoy and Paul Hirsch (Profession Achievement).
The entire checklist of winners is beneath.
BEST EDITED FEATURE FILM (Drama, Theatrical)
“Emilia Pérez,” Juliette Welfling
BEST EDITED FEATURE FILM (Comedy, Theatrical)
“Depraved,” Myron Kerstein, ACE
BEST EDITED ANIMATED FEATURE FILM
“The Wild Robotic,” Mary Blee
BEST EDITED DOCUMENTARY FEATURE
“Will & Harper,” Monique Zavistovski, ACE
BEST EDITED DOCUMENTARY SERIES
“Chimp Loopy” (102 – Gone Ape)
Evan Sensible, ACE
Charles Divak, ACE
Adrienne Gits, ACE
Doug Abel, ACE
BEST EDITED MULTI-CAMERA COMEDY SERIES
“Frasier” (207 – My Sensible Sister)
Russell Griffin, ACE
BEST EDITED SINGLE CAMERA COMEDY SERIES
“What We Do within the Shadows” (603 – Sleep Hypnosis)
Liza Cardinale, ACE
Dane McMaster, ACE
BEST EDITED DRAMA SERIES
“Shōgun” (110 – A Dream of A Dream)
Maria Gonzales, ACE
Aika Miyake
BEST EDITED FEATURE FILM (NON-THEATRICAL)
“Highway Home“
Doc Crotzer, ACE
BEST EDITED LIMITED SERIES
“Child Reindeer” (104 – Episode 4)
Peter H. Oliver
Benjamin Gerstein
BEST EDITED NON-SCRIPTED SERIES
“Welcome to Wrexham” (305 – Short-term)
Tim Wilsbach, ACE
Steve Welch, ACE
Michael Brown
Michael Oliver
Tim Roche
Matt Wafaie
Jenny Krochmal
Mohamed el Manasterly
BEST EDITED VARIETY TALK/SKETCH SHOW OR SPECIAL
“Final Week Tonight with John Oliver” (1103 – Boeing)
Anthony Miale, ACE
BEST EDITED ANIMATED SERIES
“X-Males ’97” (105 – Keep in mind It)
Michelle McMillan
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